The Slyck Experience at Hum Hip Hop Project

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This was my 2nd visit to the Bangalore and if I had learned anything from my first visit, it was that I should travel only at night and not in the morning. It took me a mere 6.5 hour bus…

5 ways through which hiphop has healed me : KAV-E

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KAV-E has been holding the scene down in Bombay alongside Elsewhere, killing it in the cyphers, battles, video whatever be it. He is a force to be dealt with in terms of lyricism and content. His latest release “HEAL” he…

Sounds from Underground – DesiHipHop Exclusive Interview

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We at DesiHipHop.com have always stood behind our claim of unity through HipHop and “Sounds From Underground” is our latest effort at it. Last year GHAURI previously known by stage name BCL Blade in association with DesiHipHop.com, hosted one of…

Hip Hop And The LGBT Community

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Our constitution guarantees “Right to Equality” to all the citizens, but this right seems more like a false promise when it comes to the fellow beings belonging to the LGBT (Lesbian, Gays, Bisexuals, Transgenders) community. We, being individuals, have all…

Hip Hop Homeland : Kinga Rhymes

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The most in-depth look yet at the burgeoning Indian underground hip hop scene. Hip Hop Homeland is a series of raw, gritty profiles about a fast emerging youth trend which cuts across gender, class and geography, and makes powerful statements of youth identity…

2015 in the Rear-view for Desi Hip Hop

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2015 has been just the perfect year for Desi Hip Hop. It involved several videos, music, gigs and events which laid down the foundation for 2016. 2016 is ours…..2016 will be the year of Desi Hip Hop. Slowly and steadily…

Dubstep meets HipHop in Dub Clash

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Sound Shikari is becoming everyone’s favorite in the underground hip hop scene. He has been producing some sick beats for artists like MC Azad, Cash Saini, Uday Bakshi and many more which are yet to be released. Sound Shikari released…

Where does Hip-Hop Stand? Look In the Mirror

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More so than any other genre except jazz, hip-hop’s merits have been built up, brought down, and deconstructed in ways innumerable. This was best verbalized in Mos Def’s “Fear Not of Man,” from his 1999 classic solo debut, Black on Both…